Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
On a South Seas island, "three white derelicts drink away memories of the past. After many adventures during which a girl enters the picture, the three are rehabilitated and everything turns out happily."
American silent drama film following an early Vitagraph leading man and matinee idol. Prints of the film are held at the Library of Congress and George Eastman House Motion Picture Collection.
A mysterious man with a cup full of money stands in a dark alley. After a woman throws money into the cup, the two kiss. The woman has thus been cursed.
With Jean-Baptiste at the front, Louise takes care of Bébé with the help of Uncle Pierre. The letters she receives from Jean-Baptiste worry her, but Pierre distracts Bébé with a box of tin soldiers. That night, Bébé has a dream of his soldiers vanquishing the enemy, and the next morning, Jean-Baptiste surprises the family by returning home.
Danny O'Rourke is the son of a police officer who was killed in the line of duty. Eager to join the police force, Danny fails his exams. The failure causes him to neglect his sweetheart Maggie, whose father is a police lieutenant. His attentions turn instead towards society girl Miriam Welton. When Danny’s sister, Shannon, is arrested for shoplifting, Danny turns to boxing to save her. He works his way towards the championship but discovers the final bought has been rigged. Danny fights anyhow and he is beaten, but it is discovered that a mistake had been made on his exams and he actually was eligible to join the police force after all. Considered a lost film.
When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.
In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.